Stand Magazine
Contents
| JOHN WHALE | Editorial |
| Kirill Sokolov: Obituary | |
| TONY RUDOLF | Letter |
| MICHAEL HAMBURGER | Aging V. |
| Her Birthday's Weather | |
| Against Brightness | |
| JUDITH KAZANTIS | Key West in the Evening |
| Key West by Way of Ithaca | |
| Dot | |
| JONATHAN GLASSER | Untitled |
| DANIEL WEISSBORT | Brown Street, Hickory Hill |
| Metaphors | |
| What Woke Me | |
| Ceremony | |
| LARRY RUBIN | Options to Sausalito, Across the Bay |
| CRAIG COYLE | A country road in Massachusetts |
| ANNE FITZGERALD | In the Family |
| BRIAN SWANN | Walking Across the Room |
| Telephone Wires | |
| The Chef | |
| LUCIEN JENKINS | Silver Birch |
| Thyme | |
| Aberbach | |
| Barley | |
| ADRIANNE MARCUS | Genetics, Morphology and Preventive Psychology |
| ALEX SMITH | Skull of the Child Bride |
| PATRICK SYLVAIN | Stuggling with Salsa |
| PENELOPE SHUTTLE | Letter |
| GREVIL LINDOP | Letter |
| MARK HAMILTON | Dreamt Postcard |
| SU SHI | Written on the Wall at West Forest Temple |
| XIN QIJI | Drunk Translated by Cornelius Medvei |
| HENRY MARSH | Seasonal |
| MARITA OVER | Letter |
| ROGER MOULSON | Down Addingford Steps |
| DAVID GRUBB | Silent Warning |
| And the Map Said Look | |
| About the Glorious | |
| Kerry | |
| MIKHAIL ZOSHCHENKO | The Hat Translated by Robert Chandler |
| PAT WINSLOW | Learning the Language of Buses |
| Blasphemous | |
| JENNY SHEPHERD | Thank You, Gina! |
| NATHALIE HANDAL | Kolo |
| AGNES ADOBE | Chlorophyll |
| This is what I want to know | |
| Chlorosis | |
| Mother Goose | |
| BERNADETTE HIGGINS | Late |
| Maurice Asks | |
| DENIS FLANNERY | Review: Seamus Heaney's The Burial at Thebes |
| GREVEL LINDOP | Review: The Letters of Keith Douglas |
Stand Magazine
Contents
| Jon Glover & John Whale | Editorial |
| PETER REDGROVE | Wild Cry from the Glittering Pharmacy |
| Metal Bloom | |
| Grandma Rules | |
| Getting the Tree Ready | |
| From: The Life of Water | |
| Table Talk | |
| PENELOPE SHUTTLE | For Peter |
| Taper | |
| GREVEL LINDOP | Review: Peter Redgrove, Sheen |
| N. S. THOMPSON | Chocolates on a Sunday Night |
| ALISON TROWER | I Am |
| ALISON BRACKENBURY | Puff |
| High Notes | |
| By the Bird Table | |
| Break | |
| TODD SWIFT | A Good Person in Snow |
| JANE KINNINMONT | Goo |
| HOWARD WRIGHT | Sunshower |
| MARK HADDON | A Rough Guide |
| Racehorses at Longchamps Degas, 1906 | |
| The Hunt in the Forest | |
| PAULA REGO | The Assumption |
| MICHAEL HELLER | The Assumption |
| Le Dernier Portrait | |
| GRAHAM MORT | Washdays |
| LEE SANDS | Rose |
| JEAN SYMONS | Jersey |
| In a gap | |
| In June | |
| TONY ROBERTS | Perspective |
| The Noir américain | |
| Evanescence | |
| STEVIE KRAYER | Menorah |
| MICHAEL GLOVER | Casual People |
| CONNIE BENSLEY | Single Room |
| ANN LEAHY | Cold Storage |
| MICHAEL MOTT | Counters |
| LOTTE KRAMER | Losing the Earth |
| Retreat | |
| Fish Market Now and Then | |
| Terror | |
| RICHARD MacSWEEN | Elvis Presley's guitarist plays Colne, Lancashire, 22 April 1999 |
| ANNE FITSGERALD | Northern Latitudes |
| TESSA LUND | Rose and Vine in West-Country Churches |
| ANGELA LEIGHTON | 4 am |
| Sleep Writing | |
| The Sound Mirror, Kilnsea | |
| ANDREW WATERMAN | Lava Flow |
| As I Walked Over | |
| Conversation Piece | |
| NANCE VAN WINCKEL | A Boy Taps My Car Window with a Stick |
| The First Drops | |
| FERGUS ALLEN | The Fever Hospital |
| Storyville Portraits | |
| IAIN D. ROBINSON | The Seaham Lady |
| NICHOLAS JAGGER | a version of lines 1035-1330 of the Agamemnon |
| ADRIAN SMITH | The Ballad of Piggy Little |
| VARLAM TIKHONOVICH SHALAMOV | The Duck (Translated from the Russian by Robert Chandler and Nathan Wilkinson) |
| EDWARD LARRISSY | Review: Five Collections from The Gallery Press |
| Notes on Contributors |
Stand Magazine
Contents
| Editorial | |
| JUDI BENSON | Between Worlds |
| Adrift | |
| Fire Time | |
| Maybe | |
| Trieste | |
| GEOFFREY HILL | Of Carnal Policy |
| JON GLOVER | Oh, Crying This |
| DAVID CRYSTAL | Two for the Road Ken |
| ALISON O'BRIEN | For Ken |
| WILLIAM OXLEY | Old Poster |
| Remembering Ken Smith | |
| JEFFREY WAINWRIGHT | 'With a dewdrop on his nose' |
| A piece on the poetry of Ken Smith | |
| RODNEY PYBUS | Cob and Pen |
| JOE FRANCIS DOERR | While you're out remember |
| Likely Through the Stones: Running in the Border Lands with Ken Smith | NICKI JACKOWSKA | Altered States |
| HYLDA SIMS | Sayling the Babel |
| FRED JOHNSTON | The Going Girls |
| CHARLES BENNETT | Snow hare |
| BOB MORLEY | Tinselberry |
| JACK DEBNEY | The Barbarians Came, After all |
| JESSE LEE KERCHEVAL | After the Funeral, Joe Tells a Story |
| Rose Red | |
| ANTHONY LYNCH | Wash |
| Tin shed | |
| Saving daylight | |
| Continental | |
| PETER WALTON | The Marlbrook Map |
| Multum in Parvo | |
| Kentish Plover | |
| Fennel in the Garden | |
| SAM SAMPSON | Landscape without Monkeys |
| Frisson | |
| HUGH MAXTON | Shelling Hill, near Faughart and other historic sites |
| LUCIEN JENKINS | An English Moon |
| C. K. STEAD | That Fear Makes Killers |
| Haiku | |
| A Cow Is | |
| History: The Horse | |
| Letter from the Mountains | |
| ANNE FITZGERALD | First watch |
| Into the Square of Dawning | |
| The Weight of the World | |
| BRIAN SWANN | My Aunt |
| Story | |
| Quasar | |
| SAMUEL HAZO | My Shirt Inspector Reassures Me |
| JOHN GOODBY | Review of Ken Smith, Shed: Poems 1980-2001 and You Again: Last Poems and Other Words |
| Notes on Contributors |