Jodi
Deal
Flapper Seminar Report Outline:
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Define “Flapper”
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in the late 1800’s,
it was used to mean “prostitute,” or to describe immoral teenage girls
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in the very early 20th
century, it was used to describe young girls, women under thirty who couldn’t
vote (in
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always, in one way
or another, seemed to be used to describe unconventional women
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depicted in the
cartoons of John Held, Jr., who had a long running flapper cartoon known
as “Dixie Dugan,” also did pictures for the cover of Judge, and the dust
jacket of Tales of the Jazz Age.
His flappers were known as “Held’s
Angels.” They were also depicted in the
paintings of Vargas, and the photographs of Edward Streichen.
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stereotypical American Flapper was a way of dressing and
behaving. Came into existence after the first world war.
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The “flapper”
style trend was characterized by short bobbed hair,
short skirts, hose rolled down at the thigh, and powdered their knees. Short hair was new and daring, as women’s
hair had traditionally been long. Flappers
were characterized as wearing a lot of make-up, and often applying it in
public. They also wore those little
hats, baggy dresses that exposed their arms and legs, and long necklaces, all
of which moved in an interesting manner when they danced.
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Characterized as
being loud, fast, brazen, exuberant, telling “peppy stories.” Known for smoking, drinking, dancing, listening to jazz music.
Said to “radiate ‘it’” by Margaret Reid.
Embodied the fast, loose spirit of the jazz age. “Petting parties,” youthful love affairs.
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Fitzgerald Flapper
vs. American Flapper:
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Fitzgerald’s Flapper
brought about the birth of the American Flapper.
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He based her on
Zelda, and (according to Zelda, at least) the first flapper in fiction was
Rosalind from This Side of Paradise.
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Most of Fitzgerald’s
flappers appeared between Nov. 1919 and Nov. 1921. His flapper was something new and
fresh. She defied tradition and the
normal expectations of womanhood. By the
time all of his stories on her had been published in the Saturday Evening
Post, she became the norm, not something fresh and different. Publishing his stories in something as
steeped in pop culture as the post made his stories a how-to on being a flapper. She became a fad, thus going against
everything a she stood for. This is what
prompted Zelda to write her Eulogy.
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I liken this Fitz. Flapper vs. American Flapper thing to
what happened to “Alternative” music in the 90’s. When the term first appeared, everyone was
sick of the humdrum monotony of the 80’s and wanted something fresh and
new. (elaborate as needed)
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See Zelda quote in
last section from the Eulogy.
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Fitzgerald’s Flapper
Characters –
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Rosalind Conage: This Side
of
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Gloria Gilbert: The Beautiful and Damned
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Bernice: “Bernice Bobs Her Hair”
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Lois: “Benediction”
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Marcia: “Head and Shoulders”
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Ardita: “The
Offshore Pirate”
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Rags: “Rags Martin-Jones and the Pr-nce of W-les”
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Betty: “The Camel’s Back”
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Isabelle: “Babes in the Woods”
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Yanci: “The
Popular Girl”
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Fitzgerald
and Zelda on the Flapper –
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Fitzgerald in
an interview by Margaret Reid, “Flappers Are Just Girls With a
Splendid Talent for Life"
By
this time, “Flapper ha[d] come to be a generalization, referring to
almost any femme between 15 and 25.”
(see highlighted sections)
“It’s
rather futile to analyze flappers.
They are just girls- all sorts of girls.
Their one common trait being that they are young things with a splendid
talent for life.”
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From “Eulogy on
the Flapper”
“The
Flapper is deceased. Her outer
accoutrements have been bequeathed to several hundred girls’ schools throughout
the country, to several thousand big-town shop-girls, always imitative of the
several hundred girls’ schools, and to several million small-town belles always
imitative of the big-town shop-girls via the ‘novelty stores’ of their
respective small towns. It is a great
bereavement to me, thinking as I do that there will never be another product of
circumstance to take the place of the dear departed.”
“Now
audacity and earrings and one-piece bathing suits have become fashionable and
the first Flappers are so secure in their positions that their attitude
toward themselves is scarcely distinguishable from that of their debutante
sisters of ten years ago toward themselves. They have won their case. They are blasé. And the new Flappers galumping
along in unfastened galoshes are striving not to do what is pleasant and what
they please, but simply to outdo the founders of the Honorable Order of Flappers;
to outdo everything. Flapperdom has become a game; it is no longer a
philosophy.”