English 490-9012: Fitzgerald and Hemingway
2008 Spring
Schedule of Assignments
Professor
Bryant Mangum

 

I. WEEK ONE   (14, 16 September)

        Monday:  Course Introduction, Biographical, Bibliographical Information
        Wednesday:
        Background on FSF’s “The Ice Palace” and Tarleton Trilogy
           

II. WEEK TWO    (21, 23 January—holiday: no class on 21st)
        Wednesday: Background of EH’s “Indian Camp”

   
III. WEEK THREE    (28, 30 January)
          Monday:  (SR) The Fitzgerald Flapper: Shannon Sullivan
          Discuss “Bernice Bobs Her Hair” and “Head and Shoulders”

          Wednesday: Read from This Side of Paradise:  “The Little Man Gets His”

          (page 190 to the end)—online at http://www.bartleby.com/115/25.html

 

IV. WEEK FOUR    (4, 6 February)

          Monday:  "The Diamond as Big as the Ritz"
          (CR) This Side of Paradise:  Travis Heldreth
          (CR) Flappers and Philosophers: Peter Boswell
          Wednesday: “The Jelly-Bean” (read "May Day"—short discussion; long
           story)
          (CR) Tales of the Jazz Age: Lily Dunning

 

V. WEEK FIVE    (11, 13 February) 

         Monday:  “Up in Michigan”; "The Doctor and the Doctor's Wife"

         (CR) Three Stories and Ten Poems and In Our Time:  Josh Watson
         Wednesday: "The End of Something,"

         (SR) Biographical Underpinnings of the Nick Adams Stories: Class
         discussion

         (SR) The Early Friendship: First Meeting and Early Dynamics of

         Friendship: Jerrica Jones


VI. WEEK SIX    (18, 20 February)

         Monday:  Background on The Great Gatsby (Read through Chapter Five for  
         Monday)
        (SR) The Great Gatsby: Dust Jacket Art: Peter Boswell
        (SR) Daisy Buchanan: Composite Character:  Martin Krause

        (SR) Daisy Buchanan: Composite Character: Martin Krause 

         Wednesday: Finish The Great Gatsby

        (CR) The Great Gatsby: Whitney Milliken
        (SR) Zelda Fitzgerald/Ernest Hemingway Relationship: Virgilio Nebel
        Paper #1: Wednesday, 20 February

 

VII. WEEK SEVEN (25, 27 February)
           Monday: Background The Sun Also Rises (1926); read first half of novel  
            for Monday
           (SR) Hadley/Hemingway/Pauline: Natalia Pierson

           (SR)  Biographical Underpinnings of The Sun Also Rises (The Cast of The 
           Sun Also Rises
: Brian McTeague

           Wednesday: Finish The Sun Also Rises
          (CR) The Sun Also Rises:  Brian McTeague

          (SR)  Hemingway and Maxwell Perkins: Lowell Fitzgerald

VIII. WEEK EIGHT (3, 5 March)

             Monday: Complete discussion of The Sun Also Rises; review for hour test

            (SR) Fitzgerald and Perkins: James Petrick     

             Wednesday, 5 March:  Hour Test

 

IX. WEEK NINE (10, 12 March—No Class—Spring break)

     

X. WEEK TEN (17, 19 March)

         Monday: "The Rich Boy"; read “Winter Dreams”

         Wednesday: finish discussion of "Winter Dreams"; read "Absolution"

        (CR)  All the Sad Young Men: Ali Breslin

         Friday 21 March: Last Day to Withdraw with Grade of W

 

XI. WEEK ELEVEN (24, 26 March)

          Monday: Read "Alpine Idyll" and read Book I of A Farewell to Arms

         (CR)  Men Without Women: LaTasha Sabbakhan
         Wednesday: Read Book II of A Farewell to Arms
        (SR) Hemingway and Agnes:  The Love Affair at the Center of

        A Farewell to Arms: Lesa Paul

        Paper #2 Due Wednesday, 26 March

 

XII. WEEK TWELVE (31 March, 2 April)

           Monday:  Read rest of A Farewell to Arms and finish discussion of FTA
          (CR) A Farewell to Arms: Lowell Fitzgerald
          Wednesday:
  
      (SR) Fitzgerald and Hemingway's Women: A Comparative Study: Whitney 
          Millikin
          Read "The Last of the Belles" (look back toward Tarleton and  
          flapper/belles)    

XIII. WEEK THIRTEEN (7, 9 April)
             Monday:finish discussion of "Babylon Revisited" (look ahead toward  
             Tender)

            (CR) Taps at Reveille: Virgilio Nebel
            (CR) Zelda Fitzgerald’s Save Me the Waltz: Shannon Sullivan
            (SR) Alcoholism in Fitzgerald and Hemingway: LaTasha Sabbakhan
            
Rough Draft of Final Paper Due Wednesday, 9 April (or no later than 
            
5 pm Friday under my door

 

XIV. WEEK FOURTEEN    (14, 16 April)

            Monday: Read "A Clean Well-Lighted Place"

           (CR) Winner Take Nothing: Lesa Paul
          
(SR) Zelda's French Aviator and Fitzgerald’s Retaliatory Affair: Ali  
           Breslin

          Wednesday: Read Tender Is the Night; Book I; background

          (CR) Tender Is the Night: Jerrica Jones
         
(SR) The Composition of Tender Is the Night: Travis Heldreth
           Discuss Tender Is the Night (1934)

          (SR) Gerald and Sarah Murphy: Living Well Is the Best Revenge:  Lily 
           Dunning
     

XV. WEEK FIFTEEN (21, 23 April)

           Monday:  Discuss Book I of Tender Is the Night

          (CR) For Whom the Bell Tolls: Brett Fairbrother
          Wednesday:

          (CR) The Last Tycoon: Martin Krause
         
(SR) A Moveable Feast: How Accurate?: Josh Watson
          (CR) A Moveable Feast: James Petrick
     
      

XVI. WEEK SIXTEEN (Last Class Monday, 29 April; 30 April Reading Day)

           (SR) Hemingway after For Whom the Bell Tolls: Brett Fairbrother
           (CR) + background
Scott and Ernest: A Dangerous Friendship: Natalia 
            Pierson
            Final Matters—including brief filmclips and retrospective overview    

XVI. WEEK SEVENTEEN (5, 7 May: Exam Week)
 End-of-Term Papers Due at 4 pm in our seminar room on Exam Day (Monday, 5 May)