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Anthology questions

Chap. 1
Tonic triad
Chap. 2
Dominant
Chap. 3
Dominant 7th
Chap. 4
Sub-dominant
Chap. 5
I 6/4
Chap. 6
1st inversion
Chap. 7
supertonic
Chap. 8
V7 inversions
Chap. 9
Linear 6/4
Chap. 10
iii/vi
Chap. 11
vii°
Chap. 12
variants
Chap. 13
ii7
Chap. 14
vii°7
Chap. 15
All 7ths
Chap. 16
Pieces
Chap. 17
V/V etc.
Chap. 18
Modulation

Chapter 11
Leading tone triad

#105 Aus meines Herzens Grunde

Listen: .mid .mp3

  1. Analyze key, roman numerals, non-chord tones, cadences.
  2. How does Bach use the leading tone triad? How is it introduced and resolved?

#106 Album for the Young, Schumann

Listen: learn to play this one yourself!

  1. There is a leading tone triad in m3, b1. How is it introduced and resolved?

#108 Sonatina, Haydn

Listen: .mid .mp3

  1. Find the cadences and the resulting phrase structure. What is unusual about the first cadence?
  2. What kind of non-chord does Haydn use on the downbeat of m3?
  3. Analyze the chords in m3. Are they being used primarily in a functional or linear manner?